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You may find the original post on Head-Fi.org

Intro / CanJam

In the headphone hobby, we are always seeking to try the next best thing in order to find the Goldilocks sound we perpetually search. In this pursuit, we are required to take our personal headphones out into the community either to try them with new source gear or compare to other headphones. This was my exact predicament this year at CanJam SoCal 2021. I wanted to bring my Arya V2 to compare the new V3. The only problem was, in it’s manufactured configuration, the Arya does not come with a case for travel. I would have to take my headphone around exposed and unprotected to any potential harm. Enter Dekoni Audio.

For transparency, Dekoni Audio provided this unit for review. I am not being paid or coached to provide a favorable review. All thoughts and opinions in this review are my own.

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Dekoni / SKB

Dekoni Audio is a purveyor of fine audio products, most-notably their wide selection of high-quality earpads designed to fit several different headphones. Among their products are two headphone case products, the Savior V2 and Hero. This review will focus on the Hero; their heavy-duty travel case created in collaboration with SKB Cases.

Based out of Orange, CA, SKB Cases is an industry veteran in the making of transport cases. They specialize in transport cases for pro audio, sports (bow/rifling), and even military applications. Suffice to say, they have the experience to craft a product effective in protection. SKB’s offices are are located only 11 mi from Irvine, where CanJam SoCal was held. I definitely have a local pride in SKB Cases as products, like their Hero, were conceptualized here in SoCal.

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Features and Specs

  • TSA approved latches
  • Trigger release latch system
  • Automatic pressure valve
  • Snap-down rubber grip handle
  • IP67 water resistance
  • Reinforced holes for padlocks (x2)
  • High-density foam padding for protection inside
  • Soft eggshell foam padding inside case lid
  • Removable Omega stand

Dimensions 14 9/16 x 11 9/16 x 7 5/16 in.
Weight 5.2 lbs

Hero is based on SKB’s 3i 1309-6, which typically comes with cubed foam lining, but the Dekoni collaboration comes with a killer feature exclusive to Hero, a removable Omega headphone stand. This is a perfect addition that any headphone hobbyist would truly enjoy, especially in environments that don’t offer any soft surfaces to place your headphone on. For example, the desk in my hotel room at the Marriott had a granite surface that I wouldn’t want to place my headphones on. Thankfully the Omega stand comes in clutch for this type of scenario.

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A notable feature among those listed above, are the TSA approved latches and automatic pressure valve, which make it safe for airplane travel. No longer would you be required to place the case in a suitcase or luggage due to the latches. You could simply stow it overhead or under your seat. The automatic pressure valve will regulate the ambient pressure in the case. This should alleviate any concern about any pressure-related damage to your headphones.

Living with Hero

Returning back to CanJam, it was now the moment of truth to see if Hero could accommodate the taller stature of the Arya. Thankfully, it works! The case had just enough headband space. No cuts to the foam are necessary to accommodate the Arya.

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Lugging the Hero around for the weekend, I could get a sense for the ergonomics. With the handle disengaged from the locked position, the handle has some play which help reduce arm fatigue when walking with it. The comfort is helped by the rubberized material on the handle and it’s rounded shape. Hero touts fantastic ergonomics.

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At home, I was able to try fitting different headphones in the case. All of my large headphones fit, but with a caveat for one. The LCD-GX was only able to fit if the omega stand was removed. Although the space inside the Hero is larger than Audeze’s Premium case, the omega stand required the GX’s cups to be pulled apart, thus making the GX’s overall profile wider. This extra wide profile just barely prevented the headphone from fitting in the case. In order to fit the GX and the omega stand together, one may be able to cut out a small space from the foam in order to fit that last bit of the yokes that’s causing the obstruction. Of note are pictures in a user review on Dekoni’s website that shows an LCD-XC with the old Audeze-style headband that seems to fit perfectly in the case with the stand.

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LCD-GX with Extended Rods at a mid position

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LCD-GX with Extended Rods in the Hero sans Omega headphone stand

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LCD-GX with Extended Rods at max position

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ZMF Verite

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Hifiman Arya with two cables

Save for an Abyss AB-1266, Hero can virtually any headphone.

Comparisons

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I got to make better comparisons with all the cases I own once I was home. For comparison to Hero are the Audeze LCD Premium Travel Case and ZMF Seahorse Headphone Case. I’ve obtained the following measurements using the only measurement device available to me, my Fibit Aria bathroom scale. I took measurements of myself, then myself holding each case, repeated measurements three times over, then calculated the averages for each.

Measurement Averages
Me: 169.5, 169.4, 169.2 = 169.4 lbs
ZMF: 173.5, 173.4, 173.3 = 173.4 lbs
Audeze: 174.0, 173.9, 173.7 = 173.9 lbs
Hero: 174.6, 174.5, 174.8 = 174.6 lbs

Weight (Approximate)
ZMF: 4.0 lbs
Audeze: 4.5 lbs
Hero: 5.2 lbs

Dimensions (L x W x H)
ZMF: 13 9/16 x 10 6/16 x 6 4/16 in.
Audeze: 14 4/16 x 11 15/16 x 6 10/16 in.
Hero: 14 9/16 x 11 9/16 x 7 5/16 in.

From heaviest to lightest, Hero is definitely the heaviest of the three cases for comparison at about 5.2 lbs. It’s followed by Audeze’s case at roughly 4.5 lbs, then ZMF’s Seahorse case at about 4 lbs. Notably, my ZMF case is lined with a velvet material that adds roughly 150g to the weight. There’s about a 1.2 lb difference between Hero and ZMF, but the Hero was perceptually more comfortable for travel due to the more ergonomic handle. It’s larger overall size might make it slightly more difficult to stow away. I personally didn’t have any issues placing Hero with my luggage and ZMF case in my trunk with its measly 25.7 ft³ of space.

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Latches are a notable topic to examine as well. The following ranking is in order of most secure to least secure for latches: ZMF, Hero, then Audeze. ZMF have latches that require a turn of the locking mechanism in order to lift the latches. Hero comes with a trigger mechanism that needs to be engaged to lift the latches, otherwise the latches will not budge. Audeze’s latches, on the other hand, can easily be lifted as it’s trigger mechanism encompasses the entire lower part of the latch. This latch has the greatest potential to snag onto something and open easily, not that there’s really a great possibility of it happening in the first place. With that being said, all the cases compared here all seem secure overall and I would feel comfortable traveling with any of them.

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Summary

In collaboration with industry veterans SKB, Dekoni has created a winning product in their Hero as it offers optimal protection and it’s exclusive creature-comfort feature, the Omega headphone stand. Normal retail price of $199.99, but can currently be found at Dekoni’s website for $149.99. It may be found for $139.99 on Drop. This package offers an excellent value for the headphone enthusiast seeking the utmost protection and convenience.

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https://dekoniaudio.com/product/dekoni-audio-x-skb-headphone-hero-heavy-duty-travel-case/

https://drop.com/talk/94213/dekoni-hero-case

SKBcases.com

You can find the original review here.

One of the most intimate contacts any music lover has with their equipment is with the earpads of their headphones. But what if you love the sound of headphones A, but don’t much care for their feel on your head. Can you do something about it?

Well, there’s a good chance that you can with Dekoni Audio products. Dekoni makes a bunch of accessories – and even sells a set of Dekoni-branded planar magnetic headphones, which are a modified model from Fostex. But the great bulk of its lines are replacement earpads for quality headphones. Amongst the brands they cover are Beyerdynamic, Focal, HIFIMAN, Audeze, Sony, Audio-Technica, Technics, AKG, Fostex, Sennheiser and even Beats.

Here I’m trying out three different types, at three different prices points, with the Astell&Kern AK T5p 2nd Generation Closed Headphones, which I reviewed here.

tl;dr

Dekoni Audio Fenestrated Sheepskin fitted to headphones

A bit more information

Why the A&K headphones? Well, for one thing, as I pointed out in my review, they are great headphones. But also, they are physically compatible with the Beyerdynamic DT series, since A&K worked with Beyerdynamic in developing them.

Above I focused on the comfort element of replacement earpads. But there are other reasons why you might want new earpads … even if your headphones are new. For example, you might want to grab some now and just put them away until the original earpads – which are the parts of a set of headphones, perhaps apart from the cables, most subject to wear and tear – need replacement. Some brands have demonstrated that they will keep replacements in stock for at least a couple of decades, but that’s a long time and you don’t know what the future holds.

And then there’s the matter of sound. We tend not to think to much about it, but the earpads are a significant part of the dynamic system that constitutes headphones. The volume of air they contain between driver and head, their compliance or “springiness”, change the way that the driver works. Resonances are altered, perhaps ameliorated, or maybe introduced. Different frequencies may be absorbed more by different materials.

There are plenty of head fi enthusiasts who tweak their headphones with different pads, sometimes purchased and sometimes home made, in order to adjust the character of the sound.

Dekoni Audio Elite Velour earpads

Fitting the pads

I will confess that I hate fiddly tasks like removing and fitting new earpads. Let’s face it, headphones are not designed to have their pads changed all the time. Makers expect you to change them somewhere between never and two or three times over their lifespan. So they haven’t typically spent a lot of design time on making the task easy.

That said, with the A&K headphones the fitting wasn’t particularly onerous. There’s a narrow channel around the circumference of the earcup. At the back of each earpad is a flat ring made of a rubbery material – the ring is around 6mm wide – which can be stretched over the end of the channel to fit inside it. Once you get it started, you align the overlap with a notch in the channel, and then just rotate until the ring is entirely in the channel. The result is neat. With all three of these earcups, there were no visual clues that they were not factory fitted.

The stock earcups on the A&K headphones feature a material that feels like soft leather, although I would have expected A&K to have mentioned this if it were. The profile of the cups are rounded, so that they are like half a donut, and there is no backing material across the open space inside the cup.

All three of the Dekoni earpads are more cylindrical, with a flat face on each and with a fine black material covering the driver side of the hole. Apart from that covering and the profile, the other marked difference from the stock pads is that they are much deeper. The supplied pads, uncompressed, are 20mm thick, while all three of the Dekoni ones are 30mm.

Dekoni Audio Elite Hybrid earpads

Listening

Well, that was an interesting experience. Despite the considerations I outlined regarding the effect of earcups on sound, I was honestly not expecting to hear much of a difference. One reason why was that rapid A/B testing was impossible. Even though the fitting system is reasonably effective, it isn’t fast.

In general, I thought that the headphones sounded pretty much the same with all three of the Dekoni pads installed, although a touch brighter with the Elite Velour and Hybrid Velour than with the Fenestrated Sheepskin ones.

But the differences between all three and the stock earpads were marked. First, they were all noticeably quieter. That is, the music was quieter when the Dekoni earpads were installed. I’d say they lost at least three decibels in level. I suppose that’s because their greater thickness moves the drivers a centimetre further away from the ears, and the greater air volume takes more energy to fill.

Increasing the volume to account for that, I felt that the treble was a little more prominent and the overall presentation of the sound somewhat less weighty, with a more constrained bass. There was a slight increase in “air” – remember the A&K headphones are closed-back models – but a corresponding loss of immediacy and focus.

Dekoni Audio earpads - scale

Comfort-wise, I found the Velour and Hybrid models tighter on my head than the stock ones, thanks to the extra depth holding out the yoke of the headphones a little wider, and thus increasing the force of their spring. This was less apparent with the Fenestrated Sheepskin earpads. They seemed to have a bit more give in them.

Conclusion

The Dekoni Audio earpads are well made and well designed. On my head with the Astell&Kern AK T5p 2nd Generation Closed Headphones, I preferred the original earcups.

On your head with a pair of Sennheisers or Focals or ATs? Who knows? That’s part of the fun when you depart from stock headphone fittings. Experiment and see what you think.

Dekoni Sennheiser HD 600 Series Fenestrated Sheepskin Earpads And Hybrid Elite Earpads Review – Bold Statements

View the original post herewww.audioreviews.org

EXECUTIVE SUMMARY

The Dekoni Fenestrated Sheepskin earpads and and Hybrid Elite earpads offer outstanding workmanship and comfort. However, they alter the characteristics the Sennheiser HD 600 have been known for and may therefore not be for everyone.

www.audioreviews.org

INTRODUCTION

The Sennheiser HD 600 headphones have been standard staples with audiophiles since 1997. They are characterized by a stellar, natural sounding midrange, great treble extension, and a somewhat poorly extended and slow low end. Their characteristic sound is generated by the combination of driver and earpads.

But the stock earpads have a wear-and-tear, they will loose tension over time and cause the HD 600 to sound “wrong”. Because of the large distribution of the Sennheiser HD 600/650/6XX “( the “HD 600 series”), it has become lucrative for companies to offer after-market earpads. We have recently reviewed the Competiors Pads that failed our test on grounds of tonality. It is obviously difficult to break into Sennheiser’s market as they had enough time in the last >>20 years to optimize the sound of their HD 600 series models.

Dekoni Audio is an American company out of New Jersey that offers high-end headphone accessories for a number of popular models. For the Sennheiser HD 600 series, they boldly offer six different kinds of earpads, ranging from $50 to $80.

The company also offers measurements of all their ear pads relative to the Sennheiser stock pads [here]. The Dekoni Audios ear pads for these Senns show a different degrees of midrange recession (“V-shape”) compared to the stock pads.

I selected the two with the least such recession, the “Dekoni Audio Fenestrated Sheepskin Replacement Ear Pads for Sennheiser HD 600 Series Headphones” and the slightly more V-shaped (graphing) “Dekoni Audio Elite Hybrid Replacement Ear Pads for Sennheiser HD 600 Series Headphones“.

Dekoni Sennheiser HD 600 Series Fenestrated Sheepskin Earpads And Hybrid Elite Earpads Review - Bold Statements 1

PHYSICAL THINGS AND USABILITY

Dekoni Audio claim that their pads are cooler and more comfortable than the stock pads. I tested them in the cold Canadian winter and leave the temperature judgement to testers in warmer regions. They are comfortable and have a lower elastic rebound than the stock pads.

The Fenestrated Sheepskin and Elite Hybrid have identical shapes with straight walls and flat tops. Material wise, the Fenestrated Sheepskin pads (fenestra, latin: window) feature the same material all around (sheepskin leather with little “window” holes). The Elite Hybrid feature velour on top, leather on the outer wall and Fenestrated Sheepskin leather on the inside.

Dekoni Sennheiser HD 600 Series Fenestrated Sheepskin Earpads And Hybrid Elite Earpads Review - Bold Statements 1
Dekoni Sennheiser HD 600/650 Fenestrated Sheepskin Earpads And Hybrid Elite Earpads
Bottom: Fenestrated Sheepskin (left), Elite Hybrid (right); Sennheiser stock pad on top.
Dekoni Sennheiser HD 600/650 Fenestrated Sheepskin Earpads And Hybrid Elite Earpads
Sennheiser HD 600 headphones with Elite Hybrid (left) and Fenestrated Sheepskin (right).
Dekoni Sennheiser HD 600/650 Fenestrated Sheepskin Earpads And Hybrid Elite Earpads
From left to right: Sennheiser stock, Dekoni Audio Elite Hybrid, and Fenestrated Sheepskin.
Dekoni Sennheiser HD 600 Series Fenestrated Sheepskin Earpads And Hybrid Elite Earpads Review - Bold Statements 1
Dekoni Sennheiser HD 600/650 Fenestrated Sheepskin Earpads And Hybrid Elite Earpads
From left to right: Sennheiser stock, Dekoni Audio Elite Hybrid, and Fenestrated Sheepskin.
Dekoni Sennheiser HD 600 Series Fenestrated Sheepskin Earpads And Hybrid Elite Earpads Review - Bold Statements 1

The quality of these two ear pads is impeccable. I particularly like the Fenestrated Sheepskin that remind me of high-end leather seats in a luxury vehicle – compared to the Sennheiser stock pads resembling used back seats in a New York cab.

In terms of size, the Dekoni pads are narrower and 1-2 mm deeper than the stock pads and they have a slightly larger opening. The Dekonis also have a slightly smaller opening and a bigger contact area on the head owing to their flat top. The Sennheiser pads may have a bigger surface area but it is curved, and the inner walls are not straight either.

In terms of strength, the Dekoni pads (I assume they have the same fill) are firmer than the stock pads and the also have the much slower elastic rebound. I found the Dekoni pads very comfortable over longer listening periods. I leave the fit discussion to co-blogger Kazi and will focus on the most important thing: the sound.

Dekoni Sennheiser HD 600 Series Fenestrated Sheepskin Earpads And Hybrid Elite Earpads Review - Bold Statements 1

Installation: You find lots of videos on how to replace Sennheiser HD 600 series pads on YouTube or on the Dekoni website. It is easy. You essentially rip the pads off and click the new ones into place.

Dekoni Sennheiser HD 600 Series Fenestrated Sheepskin Earpads And Hybrid Elite Earpads Review - Bold Statements 1

TONALITY AND TECHNICALITIES

Follow these links for some background information:

My tonal preference and testing practice

My test tracks explained

Equipment used: MacBook Air; Earmen TR-amp, Sennheiser HD 600, Dekoni Audio Fenstrated Sheepskin and elite Hybrid pads.

The two types of Dekoni earpads do alter the sound of my Sennheiser HD 600 in that they make it darker, bolder, weightier – at the expense of the lean original signature. The stage becomes slightly deeper but less airy. The Fenestrated Sheepskin pads alter the sound less than the “bassier and more recessed” Elite Hybrid pads.

Dekoni Sennheiser HD 600 Series Fenestrated Sheepskin Earpads And Hybrid Elite Earpads Review - Bold Statements 1

Fenstrated Sheepskin Pads

After my bad experience with the competitors earpads, which pulled the weight too far down in the frequency spectrum, the Dekoni Fenestrated Sheepskin pads came as a somewhat pleasant surprise.

The Dekoni Fenestrated Sheepskin pads do not alter the bass quantity however reduce the frequency spectrum from the upper bass up. This translates to slightly perceived bass boost, a recessed midrange and less treble extension (compared to the Sennheiser stock pads). Such recession is adherent to all Dekoni models and is least evident in the fenestrated sheepskin pads, which probably makes them the most recommendable ones.

The reduction in upper and lower midrange has positive and negative effects. The good is that the shoutiness reported by many users has been essentially eliminated, which thickens the vocals and adds more note weight to them. The bad is that the midrange loses energy and air, and becomes darker. Some may perceive vocals as duller than before, others may welcome the increased note weight.

And yep, the treble extension the Sennheiser HD 600 has been known for certainly has been tamed to some extent and caters more to treble sensitive listeners. Cymbals have become more subtle but without losing definition.

Technicalities such as timbre, soundstage, separation and layering have been largely untouched. The HD 600 have never been known for their soundstage, Dekoni claims their pads increase it because of their bigger depth relative to the stock pads. The stage may have become a bit deeper but that difference is insignificant for daily use. Soundstage with the Dekoni fenestrated sheepskin pads is fine.

Elite Hybrid Pads

The Dekoni Elite Hybrid earpads are only different from the Fenestrated Sheepskin pads through their boost below 300 Hz. When playing music without bass, both models sound essentially identical. The extra-boosted low end (with respect to the stock pads) appears to turn my HD 600 into an HD 650.

Since an earpad does not change the driver speed, the boosted low end amplifies its weakness and makes it sonically fuzzier and thumpier than with the stock pads.

In the mix (the human ear hears the whole frequency spectre in context), the boosted low end pushes the vocals further back (than the fenestrated sheepskins) and can somewhat congest the transition bass-midrange. It also pushes the treble further back.

IMO, the Dekoni Earpads Hybrid earpads push the weight too far down towards the bottom of the frequency range. But all it does is bloating it as the HD 600 is not basshead material because of the driver’s limited articulation down there.

I therefore much prefer the Fenestrated Sheepskin pads of the two models.

In comparison to the Dekoni pads, the HD 600 with the Sennheiser stock pads may sound leaner and they have more air, but a shallower stage. Everything with the stock pads is more subtle and it is bolder with the Dekoni pads.

CONCLUDING REMARKS

The Dekoni Audio earpads tested are superior over the Sennheiser stock pads in terms of build and haptic – they are also pricier. The Fenestrated Sheepskin pads produce a thicker/weightier but less energetic sound than the stock pads on the Sennheiser HD 600. The sonic differences between the stock pads and Dekoni Fenestrated Sheepskin pads are, however, not earth shattering – and may be not be a dealmaker/breaker. However, they do alter the characteristic sonic signature of my HD 600 probably too much to please purists.

 

The Elite Hybrid, on the other hand, very similar to the competitors pads, add to much weight to the bottom of the frequency spectrum imo that is missing in the midrange and on the top. I would not recommend these to listeners who treasure the original sound of the HD 600.

Until next time…keep on listening!

Jürgen Kraus signature
www.audioreviews.org

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DISCLAIMER

The earpads were provided by Dekoni Audio through their Head-Fi campaign – and I thank them for that.

In this second of a three-part series, let’s examine the True Wireless Bulletz, a 4.9mm bore sized tip that will fit the majority of True Wireless IEMs on the market. Our reviewer usually uses small or medium-sized tips and is testing with a Sony ZX300 music player and the wonderful and free HDtracks 2020 Hi-Res Sampler album.

 

KZ S1D

The least expensive/cheapest True Wireless IEM in this lineup, it also includes only two sizes of tips, and also the tips have the least stiff “structure” of tips and can tend to fold when attaching, and this reviewer actually found the medium tips to become misshapen and create a worse seal in his ear (resulting in a very thin sound) than the small tips more appropriately sized for his ear canals. This just goes to show how important a good fit is… and the Memory Foam Bulletz TWS squish then expand to fill the ear canal and provide a good seal, a moment after holding them in the ear. The full-sized Bulletz Mercury also fit on this IEM, however their size makes it difficult for the IEM to make a good connection with the charging case; the Bulletz TWS were designed to solve this and store properly while allowing the IEMs to recharge. A little usability tip with this IEM: the lip that holds the tips on the earpiece is very thin, and there is a chance that any tip will slip off and get left in the ear. To prevent his, pull your ear up and forward to break the seal, and briefly mash the tip against the sides of your canal before centering and pulling the tip out.

With the Troubadour-style Anna Nalick singing “As The Time Draws Near,” the listener is placed in the audience of a large, reverberant hall, though fairly close to the stage. The Bulletz TWS provide a little more foundation and mid bass to the sound, while the stock tips have a more airy presentation, extremely so if you don’t get a good seal with the stock tips (the Bulletz TWS come in three sizes or a sample pack of all three).

 

1More True Wireless Style

1More’s popular and sporty take on the True Wireless headphone, the Style, comes with rubber “loops” to help the IEM stay in the ear during workouts and other strenuous activities, but maintains a smooth matte pebble-like appearance for style points. The silicone tips included are fine, and quite durable, but with all those sweaty activities, it may give a false impression for how often the tips and earwax grille should be cleaned! With the lively guitar and fiddle work of “Pupville” by David Grisman, the stock tip sound is dominated by the voice-like violin, which is nice for people used to a flat or n-shaped frequency response, however the Bulletz bring the bass cello into greater prominence and help the guitar perform with more body and weight, which many people will find to sound richer and balanced the way they expect. And while the full-sized Bulletz Mercury will also fit this headphone and not impede the connection to the charging case when stored, the IEM was designed for a shorter “tip” and so the shorter Bulletz TWS has the more intimate sound closer to stock.

 

Sennheiser Momentum True Wireless

The Momentum True Wireless includes four sizes of silicone tips, yet no foam tips. Though the original Bulletz Mercury will fit on the Momentum inside the case, the Bulletz TWS have the same height and insertion depth as the stock. This difference is important to the sound: while the Mercury and other foam tips have a taller “tube” and reduce the “air” and high end extension compared to the stock tips, the TWS preserves that transparency while providing the benefits to the seal, low end response, and comfort of foam tips. With one of the most challenging and revealing tracks on the HDtracks sampler, the orchestral “Symphony No. 1 in E Major, Op. 26: V. Allergro” from Mikhail Pletnev has the widest dynamic range of quiet to loud sounds, performed on a truly large stage. With the Bulletz TWS, the apparent volume of the violins was reduced, but a bump up of the volume to match the violins brings an exciting sound with good presence of the horns and timpani, as well as a more sure fit (even with four sizes, the reviewer’s right ear is somewhere between the stock medium and second smallest tip! No such issues with the conforming Bulletz foam).

***

 

Dekoni Bulletz offer unique traits that make them seem like a hybrid of strengths from typical silicone and memory foam tips. The memory foam is soft and consistently offers a good seal, yet it is thinly coated with wax for more durability and can safely be wiped clean with a damp towel. Inserting the tips is simple, with a squeeze and roll on the tip before inserting – some people report they can just push or twist them in, like a silicone tip! As a bonus, the inner core is attached to a firm silicone tube, which gives you something to push on and makes attaching a tip to your IEM a little bit easier.

 

If you’ve read this far, give this post a like! Have you tried Bulletz on any of your IEMs? Part 3 will arrive in about a week and a half, when we test the narrow-bore Gemini tips on models from Shure and Etymotic!

 

Durability, comfort, ease of insertion, and sound quality… sometimes, we have to face the challenge of choosing between these factors with In-Ear Monitors, particularly with the all-important ear tips. We’re all familiar with typical silicone tips; easy to clean, easy to slip in and out of your ears, but they come in a bewildering array of shapes and sizes because they don’t conform to fit the ear canal well, with getting and maintaining a “good seal” being difficult and causing widely variable sound impressions. Many silicone tips also come with molding line seams or “ridges” that can feel like they’re scraping your ear and become highly uncomfortable in less time than it takes to listen to a full album. Foam tips do conform to your ear’s shape and thus usually provide better isolation, bass response, and surface comfort, but they seem to act like sponges, sucking up your ear wax and quickly getting gross, even though IEMs only include a single pair in one size… if you’re lucky enough for them to be included at all.

 

In this first of a three-part series, let’s examine the Mercury Bulletz, a 4.9mm bore sized tip that will fit the majority of IEMs on the market. Our reviewer usually uses small or medium-sized tips and is testing with a Sony ZX300 music player and the wonderful and free HDtracks 2020 Hi-Res Sampler album.

 

KZ ZS10 Pro

This popular but inexpensive model comes with an attractive cable and enclosure, and four pairs of silicone tip sizes. The stock tips are easy to remove but are fiddly to reattach because their core folds and collapses – the Dekoni Bulletz are much easier to attach onto the enclosure’s stem. No Sanctuary Here (Chris Jones) is a powerful track with rich acoustic guitar and male vocals, with the Bulletz bringing a more snug fit and a tighter seal, resulting in a bit more upper bass and lower midsized emphasis that suits this full-bodied track.

 

Tin HiFi T2

The T2 includes a bewildering array of silicone tips in different width and height options, including what appears to be an all-smoke gray pair of medium tips the same shape as the factory-installed red-core tips, and a single pair of blue foam tips. This is also the only IEM in this roundup that has the dubious distinction of allowing a silicone tip to come off of the enclosure and stay stuck in an ear canal. For a track with female vocals and more air, The Telephone Song (Telefone) sung by Diana Panton is a good demonstration of how foam tips in contrast to silicone can place the listener 2-3 rows back into the center of the audience rather than in the stage pit and make the background a little bit more black and dry. It’s a relatively small change that requires back to back comparison to perceive and may attenuate a touch of glare or sibilance for those who are sensitive; however the room reverb and little details like the microphone tap/bump at 0:15 are still easy to perceive. The Stock foam and Dekoni Bulletz tips are even more similar, however the blue Stock foams are slower to rebound and take longer to resume position out of the way of the bore opening if it bent inward at all (or the bend of an ear canal is pressing on it). Of course, there is only one medium Stock tip (a bit stressful for our reviewer to fit in his ear), while Dekoni Bullets come with either three pairs in three sizes or a pack all in one size once you know which fits best.

 

BLON BL-03

Chrome and sleek, credit is due to BLON for the stock ergonomics and four sizes of silicone tips, but the foam Bulletz will still provide a more customized fit, tighter seal, and better bass extension. Our reviewer was able to insert the Mercury Bulletz to two “depths” of attaching the tips, with the shallower depth being the same as the stock tips’ attachment, with full depth providing an option to bring the IEM driver closer to the eardrum and have deeper insertion (the stock tips “fold” before the bore stretches to go all the way down). Chantal Chamberland’s take on I Put a Spell On You provides a nice intimate-club performance that arrests attention. Whether the Bullets are at the standard or deeper attachment, there is an increase in bass quantity and extension into the sub-bass frequencies compared to the silicone tips (and better isolation from the outside), as well as a bit of extra smoothness and distance in the upper mids and treble, as evident by a smoother and assured finale at the 4:15 time stamp. The full depth attachment offers a more forward presentation and intimacy with a bit more upper mids; there is still plenty of air and the sense of soundstage size, but a touch less than stock.

***

 

Dekoni Bulletz offer unique traits that make them seem like a hybrid of strengths from typical silicone and memory foam tips. The memory foam is soft and consistently offers a good seal, yet it is thinly coated with wax for more durability and can safely be wiped clean with a damp towel. Inserting the tips is simple, with a squeeze and roll on the tip before inserting – some people report they can just push or twist them in, like a silicone tip! As a bonus, the inner core is attached to a firm silicone tube, which gives you something to push on and makes attaching a tip to your IEM a little bit easier.

 

If you’ve read this far, give this post a like! Have you tried Bulletz on any of your IEMs? Part 2 will arrive in about two weeks, when we test the shorter True Wireless tips on models from KZ Acoustics, 1More, and Sennheiser!

Good living Dekoni fans, today we wanted to share a review by corgifall on our Bulletz for Airpods Pro. You can check it out below or see the original post here.


ProsComfort of long listening sessions. Long lasting foam life. Fits in the charging case.
ConsLike other foam tips. Will need to be replaced at some point.

I wanna give a shout out to Dylan from Dekoni audio for allowing me to test out the new bulletz. This kind act doesn’t affect my opinions in this review.

The stock AirPods Pro come with a proprietary silicone tip that clicks onto the Pros vs a standard nozzle like other TWS/iems. While a good chunk of people will most likely be fine with the the stock tips, I personally can’t stand them and had many issues with sealing and comfort using the stock tips. I saw a few foam tips on amazon but never cared to try them. The only foam tips I willingly use are the mercury bulletz from Dekoni and I tend to only use those when none of my go to silicone tips work with an iem or tws I’m using or testing. Once I saw the announcement for the AirPods Pro version I was super stocked.

On to the review!

Packaging- The new bulletz come in single packs as well as a three pack. I really dig the way the little single packs look. The three pack looks like the standard bulletz packaging but they mixed the formula up a bit and went with an all black and white design vs the teal and white design from my mercury bulletz packaging.

Material- It’s a foam tip…. Well it’s got a little twist than say the generic foams or comply foams you normally see. With normal foam tips you have to squeeze the foam and then stuff it into your ear while waiting what feels like forever to expand, the bulletz line up uses a slightly stiffer foam and has a different texture as well. While you can go old school and do the ol “squeeze, insert and wait” method, you can also just stuff them in your ears like a normal silicon tip and the bulletz will “bite” and hold in place. Which is fantastic if you need to remove them and reinsert them quickly. These also come with a mesh “wax guard” installed like the stock apple tips which is a nice touch. While I don’t recommend it, I like to live life on the edge so I removed the mesh.

Comfort and fit- The bulletz for the AirPods Pro are super comfy! I had all kinds of issues with the Pros either not staying in my ears or requiring a deeper fit (largest size stock tips) which caused my ears pure hate towards me. I can just stuff the Pros with the bulletz in my ears and go. Like 3-5 hours with no irritation and minimal heat irritation from the foam tips. The sizing is fairly accurate compared to the stock tips. They follow the same oval shape as the stock Apple tips so If you’re using the medium size stock tip then order the bulletz in a medium. I’m using the largest size and they fit perfectly into the charging case.

Foam lifespan- While I haven’t had these AirPods pro version long enough to comment on lifespan I can say these look exactly the same as the normal bulletz tips I’ve used for a long time. I can make a set of those last a good 5-6 months no problem and these can be washed. Just rinse with water and let them dry. To me this is a super long life span as I can easily murder comply and most generic foams in a month or two from normal use.

Sound changes- This will be short as I didn’t notice any real sound changes. Maybe a little bit of extra low end but nothing that pops out. There was no change in sound between the mesh wax guard they have installed vs it removed either. The anc works perfectly fine with the foams and the same goes for the transparency mode. The seal test on iPhones works perfectly fine too with these installed.

Overall thoughts
I really dig these. I wasn’t using my AirPods as much due to the comfort issues I was having. Pricing on the bulletz is $14.99 for the single pack and $29.99 for the three pack. Pricing is fair in my opinion and after using the new Dekoni bulletz for the AirPods Pro I can easily call these a real winner. Even if you find the silicone tips fine I would highly recommend giving the bulletz a go. If you were like me and find the comfort of the AirPods Pro atrocious then these could very well save the day. Thanks for reading!

Corgifall3CorgiFall2Corgifall4

Whats up Dekoni Fans.

With the launch of our new Bulletz for AirPods Pro comes reviews. Our good friend Zeos over at Z reviews took a few minutes to explain what the AirPods Pro sound like to an audiophile and what Dekoni Bulletz can add to that package.

You can pick up a pair for yourself right here!

Check it out. CONTENT WARNING: Vulgar Language

https://youtu.be/HQubCGiSjkY

 

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